The Ugly Real Truth Of Fela
Fela Kuti
Fela's life is full of contradictions, which is part of what makes him so captivating. People who love him will forgive his bad sides.
His songs are usually longer than 20 minutes and are sung in a slurred Pidgin English that is almost impossible to understand. His music is influenced primarily by Christian hymns and classical music. He also blends jazz, Yoruba, and highlife with horns and guitars.
He was a musician
Fela Kuti embodied that music can be a powerful tool to transform the world. His music was used to call for political, social and economic reforms. His influence is evident today. Afrobeat is a style of music that combines African and Western influences. Its roots are in West-African high-life and funk, but it has since evolved into its own style.
His political activism was fierce and frightened. He used his music as a protest against corruption in the government and human right abuses. Songs like "Zombie", "Coffin for the State Head" and others were shrewd critiques of Nigeria's regime. The residence he lived in, Kalakuta Republic, as an enclave for political activism as well as an area for gathering with like-minded people.
The production features a huge portrait of his mother, Funmilayo Ransome-Kuti, who was a prominent feminist activist and pioneer of the feminist movement. She is played by actress Shantel Cribbs who has successfully communicated her importance in the life of Fela. The play also examines her political activism. Despite her declining health she refused to be tested for AIDS. Instead she opted for traditional medicine.
He was a singer

Fela Ransome Kuti was a multifaceted person who used music to effect political change. He is known for creating afrobeat - a fusion of dirty funk with traditional African rhythms. He was a fierce critic of Nigeria's religious and political leaders.
Being raised by an anti-colonial suffragist mom, it is no surprise that Fela was interested in social commentary and politics. His parents believed that he would become a doctor, but he had other plans.
A trip to America changed his perspective forever. fela lawsuits was profoundly influenced by his exposure to Black Power movements and the leaders such as Eldridge Clever and Malcolm X. He developed the Pan-Africanism philosophy, that would influence and guide his later work.
He was a music producer
Fela met Black Power activists such as Stokely Carmichael, and Malcolm X while in the United States. The experiences inspired him to establish an organization called the Movement of the People, and to write songs that reflected his ideas about black activism and political consciousness. His philosophies were publicly expressed by yabis - a type of public speaking that he called "freedom expression". He also began imposing an ethical code of conduct on his band. This included refusing to accept medication from Western-trained doctors.
After his return to Nigeria Fela started building his own club, the Shrine in Ikeja. Police and military officials were constant. His Mosholashi-Idi Oro hangers repopulated the area around the club with drugs of all kinds particularly "bana" and "yamuna" (heroin). Fela maintained his integrity regardless of this. His music is a testament to the determination with which he fought authority and demanded that the desires of the masses be reflected in official goals. It is a legacy that will last for generations.
He was a poet
In his music, Fela used light-hearted sarcasm to draw attention to political and economic issues in Nigeria. He also ridiculed his audience, the government, and himself. During these shows, he referred to himself as "the big fish in the small pond." These jokes were not viewed lightly by the authorities and he was frequently arrested, imprisonments and beatings at the hands of authorities. He was eventually given the name Anikulapo which means "he is carrying his body in his purse."
In 1977, Fela released a song called "Zombie" in which he contrasted soldiers with mindless zombies who followed orders without question. This irritated the military and they raided the Kalakuta Republic, burning it down and beating its inhabitants. During the raid, Fela’s mother was thrown from her second-floor apartment through a window.
In the decades following the independence of Nigeria, Fela created Afrobeat, the genre of music that blended jazz with native African rhythm. His songs criticized European cultural imperialism and defended African traditional religions and cultures. He also criticized fellow Africans who sabotaged their country's customs. He also stressed the importance of human rights and freedom.
He was a hip-hop artist
Fela Anikulapo Kuti, a saxophonist and trumpeter, was born in Abeokuta in 1938. He is a pioneer of Afrobeat music. He was influenced by rock, jazz, and roll as well as traditional African music as well as chants and music. After his trip to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement and her ideas influenced his work dramatically.
When he returned to Nigeria, Fela began using his music as a political tool. He was critical of the government of his native country and also argued against Western sensibilities that affected African culture. He also wrote about social injustices and human rights violations and was frequently detained for his criticism of the military.
Fela was also a fervent advocate of marijuana in Africa that is also known as "igbo". He held "yabis" (public discussions) at the Afrika Shrine where he would mock government officials and express his views on the freedom of expression as well as the beauty of women's body. Fela also had a harem of women in his youth, who performed at his shows and served as vocal backups to his vocalists.
He was a dancer
Fela was a master at musical fusion. He incorporated elements of jazz, beat music, and highlife into his own distinctive style. He influenced generations of African musicians and was a vocal critic of colonial rule.
Fela refused, despite being interrogated and detained by the Nigerian military junta, as well having witnessed the murder of his mother. He died of complications due to AIDS in 1997.
Fela was a prominent political activist who criticized the oppressive Nigerian Government and supported the principles Pan Africanism. His albums including 1973's Gentleman, focused on the issue of oppression by both colonial and government parties. He also pushed for black-power and decried Christianity, Islam and other non-African imports that divide the people of Africa. The title track on the album from 1978, Shuffering and Shmiling, describes the over-crammed public busses packed with workers "shuffering and smiling." Fela was a strong opponent of hypocrisy in religion. Fela's dancers were also an excellent complement to his music. They were sensual, vibrant, and regal. Their contributions were as important as Fela's lyrics.
He was an activist in the political arena.
Fela Kuti utilized music as a tool to challenge unjust authorities. He adapted his knowledge of American jazz and funk to African patterns and rhythms making an ear that was ready for fight. Most of his songs begin with slow-burning instrumentals. He layers little notes, riffs and other elements until they explode with a sense of urgency.
Fela, unlike many artists who were scared to discuss their political beliefs, was fearless and unbending. He stood in the cause he believed in even when it was risky. Funmilayo Ransome Kuti was a feminist who was the leader of the Nigerian Women's Movement. His father was a protestant minister and the president of the teachers union.
He also created Kalakuta Republic, a commune and recording studio that was an expression of resistance. The government raided the commune, destroying the property and injured Fela severely. He refused to give up, however, and continued to speak against the government. He passed away from complications of AIDS in 1997. His son Femi continues to carry on his legacy of music and politics.
He was a father
Music is often seen as a political act with artists using lyrics to call for change. Some of the most powerful musical performances are not performed with words. Fela Kuti is one of these artists and his music rings today. He was the founder of Afrobeat music, which blends traditional African rhythms and harmony with jazz and hip-hop that was influenced by artists such as James Brown.
Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and opposed colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied Marxism and believed Nigeria should serve its whole population.
Seun, Fela's Son, continues to carry the legacy of his father with a band named Egypt 80. The band is on tour around the world this year. The Egyptian 80's music blends the sounds of Fela with a sharp critique of power structures that still exist in the present. Black Times will be released at the end March. Thousands of fans attended the funeral and paid tributes at Tafawa Balewa Square. The crowd was so large that police had to block the entrance to the venue.